Gear
recording:
Macbook Pro i7 quad 8GB RAM with Reaper
interfaces:
- Apogee Duet 2
- 2x Presonus Firestudio
- 2x Presonus D8
- Behringer X32 Rack
- Behringer S16
outboard:
- TLAudio PA-1 (2 ch tube preamp)
- 2x Empirical Labs Distressor EL8-X
- 2x DBX 166XL (2 ch compressor / limiter / gate)
- 2x Behringer Powerplay (4 ch headphone amplifier)
monitoring:
- Dynaudio BM5A (active monitors)
- Prodipe Ribbon 8 (active monitors)
- NOCS NS2 (active monitors)
- Sennheiser HD25 (closed headphone)
- 2x Sennheiser HD477 (open headphone)
- Shure SE215 (in-ear phones)
- Cinepaq IEM E5 (custom in-ear phones)
mics / DI’s:
- 2x Sennheiser 901
- 1x Sennheiser 902
- 5x Sennheiser 904
- 1x Sennheiser 905
- 2x Sennheiser 906
- 1x AKG d112
- 1x Shure SM57
- 1x Shure SM7b
- 2x SE Electronics SE1A
- 2x Audio Technica AE 2500
- 2x Audio Technica AE 3000
- 3x AKG D5
- 3x Sennheiser 835
- 1x Beyerdynamic Opus 99
- 1x Beyerdynamic M201
- 1x Electrovoice 967
- 3x Electrovoice 468
- 2x Palmer PAN-02 (active DI box)
- 3x Palmer PAN-04 (stereo passive DI box)
- 3x Palmer PDI-09 The Junction speaker DI
- Hughes & Kettner RedBox Classic (speaker DI with 8×10 mod)
- Palmer Daccapo reamp box
- Little Labs Redeye DI / reamp box
misc:
- Tech21 SansAmp Bass Driver DI Programmable
- Tech21 SansAmp Tri-AC
- Ibanez TS9 tubescreamer
- Boss SD-1 overdrive (bass screamer mod)
- Morley ABY switch
- Line6 G30 wireless system
- Sennheiser EW 300 IEM G3 in-ear transmitter
instruments:
- ‘75 Fender Precision Bass
- ‘98 Fender Jazz ‘75 Reissue (modded with S-1 switch + ‘classic ’62 pickups)
- ‘98 Gibson Les Paul Standard Double Cut
- ‘08 London City Comet (great telecaster copy)
backline:
- Musicman HD-130 (early 70’s bass head)
- Aguilar DB810 8×10 bass cab
- Marquis superbass (early 70’s Marshall replica, modified to bassman 100 specs)
- Marshall JMP 2203 (1977)
- Marshall JCM800 2203 (1987)
- Marshall JCM800 2210 (1980)
- Marshall 1960AX cabinet (celestion greenbacks)
- Orange PPC412 (celestion V30’s)
- Fender bassman 4×12 (1974 bass cab)